Showing posts with label flash fiction. Show all posts
Showing posts with label flash fiction. Show all posts

Sunday, September 16, 2012

The Best of All Worlds


            There was a strange old man at the campus coffee shop nearly every day, sitting on a long-legged chair next to the window, sipping his drink and watching the students pass by.  He seemed simultaneously gleeful and crestfallen, an air of resigned happiness about him, as if he were trying to force himself to see the bright side in everything and failing.  Some people avoided him; they thought he was a creep or senile or both.  A few tried to befriend him, they’d sit at his little circular table, cup of coffee steaming in their hands.  They’d talk to him, but he’d just sit there, smile politely, with that same weary joy with which he viewed everything.  This led people to guess that he was a refugee (of some massacre or genocide or other unavoidable disaster) who couldn’t speak English.  To most of us he was a fixture, as much a part of the scenery as the tables and chairs. 

            To the best of my knowledge, I am the only person he ever spoke to.  Probably because I happened to be there at the time, but maybe not.  I would like to think that there was some reason besides proximity that caused him to open up to me, but excluding my own vanity I’m drawing a blank.

            I was sitting at the table next to his, we were back to back.  Him sipping his coffee, me trying to memorize a set of equations for Statistics.  Near the door, two freshmen were having a very loud discussion.
            “I saw a poll online,” one of them, a boy with greasy black hair, said, “That asked ‘If you had a time machine, would you kill Hitler?’  And a majority said ‘No.’ Isn’t that awful?”

            The other one, a girl with shoulder-length red hair, nodded emphatically as they walked out. 
            After they left, the old man started whispering.  He was so quiet I almost didn’t realize he had spoken at all.  I caught the tail end of his statement, something about truth and labels.  I twisted around in my chair to face him.

            “Excuse me?” I said.

            The man didn’t turn but spoke a little louder.  His voice was raspy and reminded me of rust.  I cannot say with any degree of certainty if what he said was true, but I know he believed it.  I think I do, too.
 
            He said:  “‘The optimist proclaims that we live in the best of all possible worlds; and the pessimist fears this is true.  So I elect for neither label.’”  He sighed, took a sip of his coffee.  “A satirist wrote that, James Cabell.  He fell out of popularity in the 1930’s.  A critic at the time said that this was because ‘Cabell and Hitler did not inhabit the same universe.’  Perhaps.  Perhaps that would be different, too.  Cabell might have continued to be successful, and paved the way for a golden age of irony.”  He made a series of shallow rasping noises.  It took me a few moments to realize that he was chuckling.  “Would you do it?  If you suddenly found yourself in the past, would you kill Hitler?”

            I thought about it for a moment.  Before I could answer, he continued.

            “The fact that no time traveler has done so is, to many, proof that time travel will always remain impossible.  For how could any society capable of retroactively preventing such a dark patch in mankind’s history possibly choose not to do so?  Why, they ask, would they allow a fool who spent his time dabbling in the occult, who would send his forces on foot into Russia, a man who did many truly evil things, but nonetheless a man who did a poor job of leading an empire, why would they let him live?”  His voice got scratchy and wavered.  He took a sip of his coffee. When he spoke again, I realized he had no accent. 

            “What if I told you,” he said, still not facing me, maybe not even talking to me, “that time travel is real.  That in the future, we’re able to trace the entire history of mankind, from the cradle of life to the grave.  That we can change things, anything we want. That the universe can withstand paradoxes and logical fallacies, because the universe isn’t logical.”   He turned towards me, his face not much more than a foot away.  “What if I told you that, of every possible sequence of events, of every reality, this one, with its war and hatred and famine, this world is the best possible outcome?  What if I told you that we are living in the best of all possible worlds, and that I know that’s true?”

            I think that one of my greatest regrets will be that I said nothing then.  He stared at me for a long moment, looking for something.  Gratitude?  Condemnation?  Apology?  Whatever it was, I couldn’t give it to him, so he left.

            He wasn’t there the next day, or any day after that.  I tried to find someone who knew his name.  The cashier said he always paid cash, so she never got his name off a credit card.  No one knew anything.  A lot of them asked me what I knew, because word had gotten around that I was the last, and only, person he spoke to. 

            I don’t know if I believe him.  But about a week after he disappeared, the cashier showed me a bronze coin the old man had put it in the tip jar.  On the back was a picture of Hearst Castle.  On the front, below the number 2867, was a portrait of Mussolini.
           
            

Wednesday, August 1, 2012

A Day at the Ad Agency


            “Yes, Mr. Holstrom.  Yes, I realize that this is unacceptable.  I’m going to rectify the situation right- Rectify.  It means to make right.  Yes, I’m sure it doesn’t mean that.  Yes, I’ll get right on it.  All right, thanks.”

            I hang up the phone, and rub my temples.  This is the third time Johnson’s fucked me over.  I open the drawer in my desk by my right knee, pull out a bottle of scotch and a glass.  I hate firing people.  I pour, drink.  Johnson’s office is down the hall, about ten yards from mine.  His office is only about eight by ten, but then again, he’s only worked here for six months.  It took me three years to get a decent sized office. 

            When I enter the room, Johnson is sitting with his feet on his desk, leaning back in his swivel chair, holding a paperback at arm’s length over his face.  I clear my throat.  Johnson looks at me without moving his head.

            “Hey,” he says, “What’s up?”

            “We need to talk,” I say, pulling from my pocket the folded up flyer Mr. Hostrom faxed to me.  “It’s serious.”

            Johnson swings his legs off the desk, and sits up straight, tossing the book behind him.  It hits the wall and some pages fall out.  I lay the flyer flat on the desk in front of him.  “Can you tell me what this is?” I say.

            Johnson looks it over, then says, “It’s the promotional flyer I designed for Mattress Mart’s sale.”

            “And do you see why Mr. Holstrom might be upset with it?”

            Johnson strokes his chin for a moment.  “No.”

            “Well, I see several.  Let’s start with the big bright red letters across the top.”

            “What about them.”

            I can’t tell if Johnson is messing with me, so I give him the benefit of the doubt.  “You don’t see it?”

            “No.”

            “Mattress-Side Sale.  In big red, inexplicably dripping letters, it says Mattress-Side Sale.”

            Johnson shrugs as if he has no idea what I mean.

            “Mattress-side.  Matricide.”

            He shrugs.  “Coincidence.”

            “Coincidence!  How could it be coincidence!  What the fuck does Mattress-side even mean.”

            “It means ‘the act of murdering one’s own mother.’”

            “I know that!”

            “Then why’d you ask?”

            I take a few deep breaths.  “I mean, why did you name the sale the Mattress-Side Sale.”

            “Because we have the best mattresses this side of the Mississippi.” He says.  “I promise, any homophones are coincidental.”

            “See, I have a hard time believing that.”  I point to the image beneath the title, “Could you explain this?”

            Johnson looks it over.  “I think the meaning is quite clear.”

            “So do I, which is precisely the problem.”

            The image is a line drawing of a large number of young men and middle aged women in a mattress store, all of them brandishing weapons of some kind.  Beneath that is the line: Everyone and their mother is going Psycho for our low, low prices.

            “Do you seriously expect me to believe that this has nothing to do with matricide?”

            “It has everything to do with mattress-side.  That’s the name of the sale.”

            The son of a bitch is grinning now.  “Enough,” I say.

            He shrugs.  “Fine,” he says.  “The pun is intentional.  I thought he’d like it.”

            “Why would he possibly like it?”

            “You’ve seen the commercials, always talking about prices so low that he’s got to be insane and all that.  What says crazy better than matricide?”

            I look him over carefully, trying to determine whether he’s still pulling my leg.  “Not that kind of crazy.  He’s quirky uncle crazy, not dress up like a clown and rip out your sternum crazy.”

            Johnson shrugs. “My mistake,” he says.  “I’ll do better next time.”

            I brace myself, take a deep breath.  “There won’t be a next time.  You’re fired.”

            He looks at me, actually serious for the first time so far.  “What!  Because I made one mistake!”

            “This is hardly the first mistake.”

            “Name one other.  I dare you!”

            “That Chef Spyro’s Gyro shop.  You remember that one?”

            Johnson crosses his arms over his chest.  “What about it?”

            “‘Chef Spyro will fill your mouth with his hot meat.’  And the picture was a close-up of Spyro winking.”

            Johnson snorts in derision. “So it happened one other time.  Big deal.”

            “And Bragler’s Pharmacy.  The ad just said, ‘Drugs.  Lots and lots of drugs.’”

            “It got people’s attention.”

            “It got the police department’s attention.”

            “Police are people.”

            “That’s not the point!”

            I take several deep breaths.  “The point is, you’re fired.  That’s it.”

            I stand up and start to leave, but Johnson runs around the desk and grabs my shoulder.  “Let me show you what I’ve got,” he says, clearly desperate.  “If you don’t like it, I’ll go.”

            “Fine,” I say. 

            An easel with a giant pad of sketch paper is leaned against the wall.  Johnson spreads its legs, and prepares to flip over the page.  “It’s for Rico’s Italian diner.”  He flips over the page.

            There’s are two meatballs next to each other, and a cannoli dangling below them.  The tagline says, “You’ll love our big meaty balls.”

            Johnson is smiling self-consciously.  I look at the ad again, then back to Johnson.  I turn around and start walking.  “You’re fired.” I call out over my shoulder.