Frank Herbert’s Dune can
be read two ways. The first is as a
story:
With a few
twists, the story behind Dune is an
old one. A noble family travels to
another fief, only to fall victim to treachery resulting in the death of the
father and forced exile of the son; the son must get his revenge and reclaim
the throne. Make the fief a planet named
Arrakis, and add in prophecy, mystic abilities, and futuristic tech, and you’ve
got the story of Paul Atreides.
The second
(and I believe better) way to read this novel is as a portrait:
Like I
said, the story throughout Dune is an
old one, one that will not surprise the reader too much. But the point isn’t the plot, it’s the planet. What Herbert attempts and (I believe) succeeds
in doing, is giving us enough of an understanding of an entire world and
population to be able to extrapolate and comprehend their present, past, and
future. He covers topics ranging from
ecology, to theology, to military strategy, to Xenobiology. The scope (and, I presume, intent) of this
novel gives the readers more than just a window into another world: It gives them
a guided tour.
In creating
a world, some things get more attention than others. The simplicity of the characters is my
biggest complaint (followed closely by the hundreds of times I had to skim
through the glossary). But the people
are not the point. They, like their
culture and environs, exist to bring Arrakis to life. Perhaps there’s something to be learned from
the amount of work and detail put into bringing to life a nearly lifeless
planet.
At almost
800 pages (not including the appendices which cover ecology, history of noble
families, the intent of a sacred order, and a glossary), Dune may require a bit of work.
Picking up on the lexicon of Arrakis may take some time at first, but is
rewarding as you go along. Dune also
asks the reader to accept the mysticism as well as the superscience. I am, admittedly, not a big fan of the
fantasy genre, with many exceptions. So
take it with a grain of salt when I say that the mystic abilities are somewhat
confusing in their limitations and uses.
But at its
heart, Dune isn’t any more about
magic than it is about any one aspect of the Arrakeen society. This novel is a portrait of an entire
planet. And it paints that portrait
spectacularly.
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